LAURA CAMPBELL: Installations


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Phenomena – Sight & Sound 2019, The Art School Glasgow
Audiovisual performances, installations and short films created by some of Glasgow’s new sound artists from current students and recent graduates of the MDes Sound for The Moving Image programme at The Glasgow School of Art.


The Uninvited Guest: 2018, The Tontine, Glasgow School Of Art.
Nonagon Structure with 360 diorama and ambisonic spatial audio

The piece explores themes of escape, loneliness and transformation within a 360º diorama, inspired by living in Ólafsfjörður North Iceland for 3 months, a remote landscape is created for one audience member, utilising sound field recordings, voice, music, sound effects, acoustic and synthesised instruments.

Stereo mix of a multi-channel installation work using ambisonics and object-based audio processing.


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Bloom: 2017 Commissioned by Open Culture for Light Night at St Georges Hall

An interactive light installation, with performances written & designed specifically in response to the unique historical space of the Catacombs underneath St George's Hall.


Afloat Inland: 2016. Commissioned by Open Culture for Light Night at Victoria Gallery & Museum, Liverpool.

Afloat, Inland was an immersive installation-performance, incorporating generative interactive graphics controlled by live musical performance and binaural environmental sound recordings.

Transforming the VG&M’s historic Leggate Theatre into a multi-channel film and sound environment, the audience lounged on bean bags in the semi-circular central space, surrounded by a huge 30 metre cinerama-style screen suspended from the upper gallery. Musicians performed from behind the audience, allowing them to share the audience's view of the projections and follow visual cues.

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What I Leave Behind I Bring With Me: 2016. Interactive film installation for Skammdegi Winter Arts Festival 2016.

Friend or Foe were Artists in Residence for three months in Ólafsfjörður, a remote town on the northern coast of Iceland, to develop a series of experimental immersive audio-visual live performances and interactive installations reflecting the environmental changes inflicted upon the open landscape, the local wildlife and isolated community during the long winter. The fluctuating light and colours due to short days, the movement of clouds and birds, the visibility of astronomical and lunar activity during the long, dark nights and the affects of winter darkness on people their moods, sleep patterns and dreams. 

‘What I Leave Behind I Bring With Me’ is an interactive installation incorporating film, binaural environmental sound recordings, and subtle musical themes inspired by the environment, local customs, history and stories.

Custom electronics and found objects were used to create an interface allowing audience participants to reconstruct layers of time and duration, shifting patterns and focus of visual and audio elements, while generative graphics fracture and shatter the image, emulating the flowing motion of the wind, moving in reaction to sound and colour.

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Sunny Island: 2015 commissioned by Liverpool Culture Company for Liverpool International Music Festival in collaboration with Make Space Create & ForTom

A continuously rolling dual-screen animation with original music, creating the sights, sounds, moods and atmosphere of a fun and hazy holiday by the sea.

The installation was housed in a pop-up inflatable dome, covered in parachutes and hidden in a circus tent disguised as a sandcastle!


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Rainbow Fish: 2014. Ladywood primary school, Bolton.
in collaboration with FACT and Curious Minds

Series of workshops and participatory interactive performances, incorporating sound design and animation with live music and storytelling for children.


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Tinted Venus: 2012. Sculpture Gallery, Walker Art Gallery, Liverpool.

Inspired by John Gibson’s central sculpture ‘The Tinted Venus’ and surrounding mythology of Venus, the Roman goddess of love, beauty, sex, fertility, prosperity and desire.

Audio reactive visual projections with sound and music mapped onto the Walker's collection of neo-classical sculptures.